Alliance Française schedule

At Alliance Française on Fridays at 8 pm

Friday, August 15: La Trahison / The Betrayal (2006) by Philippe Faucon – 80 mins – France/Belgium, Drama. In French and Arabic with English subtitles.

With Vincent Martinez, Cyril Troley, Ahmed Berrhama.

Algeria, 1960. War has been raging for six years and it will take two more years before Algeria – in French hands since 1830 – gains independence following a referendum decided by General De Gaulle.

Set amidst the turmoil of the war of independence, Philippe Faucon’s film focuses on a group of “harkis,” Algerian soldiers working with the French to defeat the efforts of the FLN freedom fighters. Led by a French lieutenant (Martinez) who is fatigued by the long, seemingly unresolvable conflict with the Algerian people, the Arab soldiers face their own moral crises as they comply with aggressive acts of interrogation and torture. The scope of the struggle is made more tangible by Faucon, who balances scenes of the lieutenant with the conflicted Arab soldiers.

Variety: Understated, tautly constructed war story "The Betrayal" takes a look back to the 1960 Algerian war of independence. Multivalent title refers to divided loyalties that threaten to tear apart a French army unit made up of mutually suspicious European colonizers and Algerian Arabs. Smart script co-written by Moroccan-born French helmer Philippe Faucon ("Samia") pulls off the difficult task of doing justice to opposing positions while withholding enough information to maintain suspense.

Patrolling a dusty rural region of Algeria, a squadron of the French army is led by Lieutenant Roque (Vincent Martinez), a decent officer and good leader worn out by homesickness and the long-running conflict with the FLN (the Algerian rebels fighting for independence). Nominally, everyone in Roque's unit is French, including the men of European extraction born in North Africa and those of Arabic origin who've been promised the same rights as French citizens should the rebellion be quelled.

In practice, however, the four Arabs in the unit, led by Taieb (Ahmed Berrhama), who act as liaisons between the army and the hostile locals, are doubtful President De Gaulle's government will honor its promises. They are treated with racism within the unit, and suspicion by their European colleagues. The locals accuse them of being traitors to their country.

The army destroys a village suspected of collaborating with the FLN and moves the residents to a refugee camp. Torture of Algerian suspects is an everyday occurrence at headquarters.

A notebook falls into the army's hands that seems to prove Taieb and the other Arab soldiers in Roque's unit are double agents, planning to slaughter their fellow soldiers. It could be an FLN trick to sow suspicion and undermine morale -- or it could be the real deal. If Roque arrests innocent men, he will proving the French Army is racist; but if they really are traitors and he doesn't act in time, blood will be shed.

A less ambitious film might have stuck to watching events unfold from Roque's point of view alone, but here plenty of scenes show the Algerian soldiers talking among themselves, their dialogue in Arabic never quite proving or disproving the accusations against them. The film cleverly plays with language to draw out suspense, not just to create mystery for its own sake but to allow the full complexity of the issues to sink in.

The performances deftly sustain the air of ambiguity, and there's a soft-spoken intelligence. Even the battle scenes are quiet, the gunshots sounding like tinny firecrackers -- the result, perhaps of a low budget. Widescreen lensing by Laurent Fenart makes fine use of the desert landscapes, although night shots are perhaps a little more murky than need be, while subtitles giving the time and place of every scene seem unnecessary.

Friday, August 22: Sarraounia (1986) by Med Hondo – 120 mins – Burkina Faso/ Mauritania/ France, Drama/ History/ War. In Dioula, Peul, and French with English subtitles.

With Ai Keita, Jean Roger Milo, Feodor Atkine.

On January 2 1899, starting from the French Soudan, a French column under the command of the captains Voulet and Chanoine is send against the black Sultan Rabah in what is now the Cameroun. Those captains and their African mercenary troops destroy and kill everything they find on their path. The French authority try to stop them sending orders and a second troop but the captains even kill the emissaries who are reaching them. Sarraounia, queen of the Aznas, has heard about the exactions. Clever in war tactics and in witchcraft, she decides to resist and stop these mad men.

Film Space schedule

At Film Space: on Saturdays at 7 pm

During August, a month of animation.

Film Space is to the right and in the back of the CMU Art Museum, in the Media Arts and Design building across from the ballet school, on the 2nd floor. Or maybe the roof. A small but nice place to view movies. A contribution is requested in the donation box at the entrance. Well worth supporting.

At Film Space on August 16, 7 pm: Daft Punk & Leiji Matsumoto's Interstella 5555: The 5tory of the 5ecret 5tar 5ystem (2003) by Kazuhisa Takenochi and Leiji Matsumoto – Japan Anime/ Animation/ Action/ Adventure/ Fantasy/ Music/ Sci-Fi – 68 mins.

Basically an extended music video – it reminds me of the Beatles’ Yellow Submarine. There’s no dialogue in the entire film, just the songs of Daft Punk, which are sung in English. The music is disco dance music, where the need for lyrics that make sense is limited. Daft Punk (aka Thomas Bangalter and Guy-Manuel De Homem Christo) is a French dance music duo who have always been imaginative and inventive, and their mish-mash of house beats, electronica, and disco has seen them churn out one catchy hit after another.

For this film the duo approached Leiji Matsumoto, one of the living gods of Japanese animation, to supply the visuals; the result is an audacious, dizzying animated space-age cartoon musical. Completed after 28 months of intensive work, the film (from a script by Daft Punk and Cedric Hervet) mixes music and science fiction with the decadent world of show business. Four blue-skinned disco musicians from another galaxy are kidnapped by an evil music manager who wants to create the greatest band on Earth. The success of the band is instant but the stars are robbed of their souls and must fight for their freedom.

The images tell a story independent of the sense of the lyrics and their subject matter for the most part, and the animation is dialogue-free; the music does the talking. Although the plot breaks no new ground, the film does manage a dig at the artificiality and pressures of the music business, while the publicity-shy Daft Punk even have a laugh at their own expense, appearing as cartoon versions of themselves. Still, it’s not about the message or the storyline, it’s all about the music. And if you like Daft Punk, you’ll love it.

Much of their songs seem very suggestive, like “Do You Need It? (I Need It Too!)” – I mean, what could they be talking about? The images, however, are not suggestive at all. The music is basic and simplistic – too accessible – and so endlessly repetitive that you’re likely to find it either hypnotic or like a throbbing headache. Not for old fogies! I think it’s probably a much better experience if you’re high on something. It also would help if you’re a fan of Daft Punk, or have ever heard of them. I think the ending is rather sweet and touching.

If you want to try it out in the privacy of your own home, you can find “Do You Need It? (I Need It Too!)” at

http://tw.youtube.com/watch?v=06MyOem-zwI

It starts at about the 7 minute mark, following another suggestive song, “Too Long! Can You Feel It” at about the 45 second mark. The whole excerpt lasts about 11 minutes.

The whole film – about an hour and four minutes – is available at

http://www.videofindr.net/video/3931 where “Do You Need It? (I Need It Too!)” starts at about the 58 minute 27 second mark.

At Film Space on August 23, 7 pm: South Park: Bigger Longer & Uncut (1999) by Trey Parker – US Animation/ Comedy/ Musical – 81 mins. When the four boys see an R-rated movie featuring Canadian comics, they are pronounced "corrupted,” and their parents pressure the United States to wage war against Canada. One of the most subversive films of the decade. Nearly rated NC-17 in the US, but cleaned up a bit at the last minute to receive simply an R rating, for pervasive vulgar language and crude sexual humor, offensive material, and for some violent cartoon images. Generally favorable reviews: 73/69 out of 100.