Tuesday, December 8, 2009

Movies Message Update, Dec 3

Here is my weekly tabulation of movies and times for Airport Plaza and Kad Suan Kaew beginning 1 March

American Documentary Showcase

 

Chiang Mai movies update, December 7, 2009

 

 

by Thomas Ohlson

 

A film series titled “American Documentary Showcase" will be presented at Chiang Mai University during December. The series begins this Wednesday, December 9, and Thursday, December 10, at 7 pm, at the CMU Media Arts and Design building, where Film Space shows its programs. This building is to the right and in the back of the CMU Art Museum, across from the ballet school. Showings are on the roof, weather permitting, beginning at 7 pm.

 

FREE admission to this series! Both of the following films have Thai subtitles.

 

Wednesday, December 9:  Flow: for the Love of Water (2008) by Irena Salina 93 mins – US, Documentary. An informative, disturbing, and enthralling film that highlights a criminally underreported problem. Generally favorable reviews: 67/67 out of 100.

 

Sundance Film Festival: Irena Salina’s cautionary documentary is determined to stir things up. Water, the quintessence of life, sustains every creature on Earth. The time has come when we can no longer take this precious resource for granted. Unless we effect global change, impoverished nations could be wiped from the planet. Roused by a thirst for survival, people around the world are fighting for their birthright. Under the cover of darkness, African plumbers secretly reconnect shantytown water pipes to ensure a community’s survival. A California scientist exposes toxic public water supplies. A “water guru” promotes community-based initiatives to provide water throughout India. The CEO of a billion-dollar water company argues for privatization as the wave of the future. A Canadian author pops the cork on bottled water, unveiling the disturbing realities that drive profits in the global water business. Flow: For Love of Water is an inspired, yet disturbingly provocative, wake-up call. The future of our planet is drying up rapidly. Focusing on pollution, human rights, politics, and corruption, filmmaker Salina constructs an exceptionally articulate profile of the precarious relationship uniting human beings and water. While each community’s challenges are unique, the message is universal--the time to turn the tide is now.

 

Austin Chronicle, Josh Rosenblatt: Flow is the kind of terrifying, impending-apocalypse documentary none of us wants to watch but all of us probably should; it isn’t the most enjoyable experience you’ll have at the movies this year, but I wouldn’t doubt if it’s one of the most eye-opening.

 

The New York Times, Jeannette Catsoulis: Irena Salina's astonishingly wide-ranging film is less depressing than galvanizing, an informed and heartfelt examination of the tug of war between public health and private interests.



IMDb viewer: If you thought An Inconvenient Truth was an eye opener Flow will change forever your awareness of water issues. If the purpose of this type of documentary is to raise awareness then it succeeds. Massively.

 

Thursday, December 10:  Miss Navajo (2007) by Billy Luther 60mins – US, Documentary.

 

Variety, John Anderson: As in most beauty pageants, contestants in the Miss Navajo Nation competition have to exhibit poise, grooming, and talent. They also have to butcher a sheep -- which is the kind of thing that makes Billy Luther's affectionate look at tribal tradition, pride and change in his documentary "Miss Navajo" so eye-opening. The film exhibits tenderness and frankness -- and some spectacular cinematography.

 

Luther structures his movie as a kind of triptych: the 50-year history of the Miss Navajo competition; the kinds of cultural abuses suffered by native peoples that prompted the creation of such a contest; and the 2005 competition, which features 21-year-old Crystal Frazier. A self-admitted introvert, Frazier enters the fray knowing she's lacking in one of the contest's chief criteria -- a fluency in the Navajo language. She perseveres, though, and she and the other entrants treat viewers to what ends up being an inspiring short story about personal achievement and the inevitable fading of a once-great culture.

 

News Blaze, Prairie Miller: Miss Navajo is filmmaker Billy Luther's reverential tribute to his mom, a former winner of the annual Miss Navajo beauty pageant in Table Mesa, New Mexico, and a celebration of the collective womanhood of the Navajo Nation. Don't expect the usual bosomy bathing suit runway stiletto strutting, aspiring girl goddess because the Miss Navajo pageant is strictly about female pride, and being smart, creative and immersed in the wisdom and continuity of traditions and tribal roots.

 

The Navajo Nation is the largest tribe in this country, that is, of what remains of the surviving oppressed indigenous peoples subjected to historical ethnic cleansings and genocide. As one contestant describes the pageant, it's in part a proud gesture 'to tell the dominant culture that we're Native Americans, and here we are, we're alive.'

 

Women are traditionally respected leaders in this farming community, and so the primary values considered in the competition have nothing to do with sex appeal or conventional notions of glamor. Females of all sorts of shapes and sizes come together to impress the enthusiastic audience and judges with their creative skills in designing art projects, Native costumes, communicating in the original Navajo tongue once banned by the dominant culture, and even the killing and shearing of sheep. One contestant is understandably so overwhelmed by the latter, that she has to be taken away in an ambulance and later drops out of the contest entirely.

 

A welcome antidote to the dominant society's soulless spectacle of the female sex object glamor girl gladiators scrutinized so brutally in the feature film Little Miss Sunshine, Miss Navajo has much to enlighten and convey to American women about self-respect, gender consciousness, honoring historical memory, and collective unity versus ruthless competition.

 

FREE admission to this series! Both of these films have Thai subtitles.

 

 

At Chiang Mai University’s Library Center

 

The series continues with four more screenings during December at “American Corner’s Mini Theatre,” 3rd floor, Chiang Mai University’s Library Center, at noon.

 

Monday, December 14, at 12 pm noon:  Flow: for the Love of Water (2008) by Irena Salina – 93 mins – US, Documentary. An informative, disturbing, and enthralling film that highlights a criminally underreported problem. Generally favorable reviews: 67/67 out of 100.

 

Thursday, December 17, at 12 pm noon:  Miss Navajo (2007) by Billy Luther 60 mins – US, Documentary.

 

Monday, December 21, at 12 pm noon:  A Man Named Pearl (2006) by Scott Galloway and Brent Pierson 78 mins – US, Documentary. Tells the inspiring story of self-taught topiary artist Pearl Fryar. It is a subtle and intriguing film that is certain to open hearts and minds. It offers an upbeat message that speaks to respect for both self and others, and shows what one person can achieve when he allows himself to share the full expression of his humanity. Generally favorable reviews: 63/67 out of 100.

 

TV Guide's Movie Guide, Maitland McDonagh: [This] irresistible documentary about self-taught topiary artist Pearl Fryar is a portrait of a polite, church-going, thoroughly decent man who found his bliss training and trimming discarded plants into fantastical things of beauty.

 

Thursday, December 24, at 12 pm noon:  Made in LA (2007) by Almudena Carracedo 70 mins – US, Documentary. Made in L.A. follows the remarkable story of three Latina immigrants working in Los Angeles garment sweatshops as they embark on a three-year odyssey to win basic labor protections from a mega-trendy clothing retailer. In intimate verité style, Made in L.A. reveals the impact of the struggle on each woman's life as they are gradually transformed by the experience. Compelling, humorous, deeply human, Made in L.A. is a story about immigration, the power of unity, and the courage it takes to find your voice.

 

Variety, Ronnie Scheib: Almudena Carracedo's debut documentary relates a rousing true story of solidarity, perseverance, and triumph, following garment workers over a four-year period as they unite to demand minimum wage and decent working conditions in L.A. sweat-shops. Deftly interweaving legal battles, national boycotts, group dynamics and individual empowerment, the film offers a personalized history lesson in class struggle.

 

 

There is FREE admission to all showings. Thai subtitles: Flow and Miss Navajo.

 

 

About American Documentary Showcase

 

The American Documentary Showcase is an opportunity to watch contemporary documentaries, rare documentaries, documentaries for social change, and documentaries from various film festivals. It’s a chance to see America from different (camera) angles. These films are not Hollywood!

 

Showcase is a curated program of contemporary documentaries that is offered to US Embassies for screening worldwide. The American Documentary Showcase aims to offer a broad, diversified look at life in the US and the values of a democratic society as seen by American documentary filmmakers. The Showcase is intended to demonstrate the role documentary plays in fostering understanding and cooperation.

 

Thursday, December 3, 2009

Whats On starting December 3

Don’t miss A Christmas Carol!

 

Chiang Mai movies beginning Thursday, December 3, 2009

 

… through Wednesday, December 9

 

by Thomas Ohlson



This is Issue Number 5 of Volume 5 of these listings, into our fifth year! The first issue came out November 3, 2005.

 

One of the “best things that happened to Chiang Mai: Thomas Ohlson’s comprehensive current cinema movie list.”  [City Life, Jeremy Samuelson, Dec. 2008]

 

Picture above shows Scrooge.

 

Major Cineplex has a special: All regular seats 60 baht on Wednesdays.

 

Cirque du Freak: The Vampire's Assistant is rescheduled for January 7.

 

 

Now playing in Chiang Mai    * = new this week

 

* Couples Retreat: US, Comedy – 113 mins – A comedy centered around four couples who settle into a tropical-island resort for a vacation. While one of the couples is there to work on the marriage, the others fail to realize that participation in the resort's therapy sessions is not optional. Generally unfavorable reviews: 23/36 out of 100.

 

Rotten Tomatoes: Despite a talented cast and some reliably pleasant interplay between Jon Favreau and Vince Vaughn, Couples Retreat leaves viewers stranded in an arid, mirthless comedy.

 

* Yam Yasothon 2 / Yam-Ya-So-Thon 2 / Hello Yasothorn 2: Thai, Comedy – 90 mins – Thai comedy with popular comedian Mum Jokmok.

 

Wise Kwai: Mum Jokmok's Yam Yasothon character moves from reluctant lover to shotgun-toting dad for Yam Yasothon 2.After a brief delay earlier this year due to a fatal lightning strike on the location, Yam Yasothon 2 is on target for a December 3 release for the long weekend in celebration of His Majesty the King's birthday.

 

A sequel to 2005's country comedy, Yam Yasothon 2 promises more eye-scaldingly colorful outfits and a double-barrel load of down-home country humor. Janet Khiew is back as Yam's amorous wife Juei, with Mum's real-life daughter, Em Busarakam Wongkamlao, and son Mick Paytai joining the cast. There's also "Dim" Harin Suthamjaras from the rock group Tattoo Color as the romantic lead, and comedienne "Tookie" Sudarat Butrprom is in there as well. Looks like fun.

 

 
Disney’s A Christmas Carol: US, Animation/Drama/Family/ Fantasy – 96 mins – Starring Jim Carrey, directed by Robert Zemeckis (The Polar Express, Beowulf) using his motion capture technology.



Brilliant! Don’t miss it if you at all like animation. Not all of it warm and comforting as you might expect from Disney, most is instead a dark and grim tale, and a faithful recreation of the Charles Dickens classic – one of literature's most haunting morality tales. Mixed or average reviews, 55/57 out of 100, but I can’t recommend it highly enough. Shown in 3D, which in this case is a marvel, and only at Airport Plaza. (There are higher prices for the 3D.)

 

It is, in fact, so faithful to the original text that it is a bit difficult to follow at times, since the vocabulary and the grammar are as used by Dickens. The film for the most part is leisurely presented and takes its time; some of the long passages of silence are truly scary. It has a spooky stillness about it, broken up now and again by passages of action to please the kiddies and the backers.

 

But talking about kiddies, it is so frightening, horrifying, and just plain scary at times that I question whether kids under 10 should be taken. Be forewarned.

 

It’s a remarkable piece of acting for Jim Carrey. I also have to mention the brilliant use of music, which I thought was exceptionally apt and expressive throughout, and which rises to a marvelously rousing, full-throated climax during the closing credits.

 

New York Times:A Christmas Carol” —the source material— remains among the most moving works of holiday literature, and Mr. Zemeckis has remained true to its finest sentiments. He is an innovator, but his traditionalism is what makes this movie work.

 

Slate: Nearly every line of dialogue in this adaptation of A Christmas Carol comes directly from the story. Most incongruously for a Disney holiday release that's timed to sweep family crowds into the theater, this Christmas Carol remembers that its much-recycled source material is less a children's story than a fairytale for the middle-aged. The series of affects Scrooge goes through in the course of that Christmas Eve—the sharp pain of nostalgia, the regret for irreversible mistakes, the sudden realization that life is shorter than one thought—these are not the emotions of the young. How they made it into this Disney adaptation unprettified is a Christmas miracle in itself.



Ninja Assassin: US/ Germany, Action/ Crime/ Drama/ Thriller – 99 mins – A young ninja turns his back on the orphanage that raised him, leading to a confrontation with a fellow ninja from the clan. Seems to me essentially a blood-soaked combination of physical stunts and digital trickery, with the shyly expressive Korean pop star Rain, one of People magazine's "Most Beautiful People" in 2007. Not recommended, unless you’re easily delighted by ultraviolence for its own sake. Otherwise, this thinly plotted movie with low-grade thrills about a young ninja's revenge against his cruel trainers will disappoint. I found the shadowy action too often incomprehensible, except in the general sense that heads, limbs, and torsos are being severed in massive numbers. Ten minutes after you leave the movie, all the battles will have blended in your memory into a ceaseless muddle of sliced-off appendages, jets of blood splashing artfully on walls, gurgling screams, and flashing swords. But, to be honest, I guess there's a cathartic value to all the bloodletting. Rated R in the US for strong bloody stylized violence throughout, and language. 18+ in Thailand. Review scores have dropped - now "generally unfavorable" reviews. 34/44 out of 100.

 

 

The Twilight Saga: New Moon: US, Drama/ Fantasy/ Horror/ Romance/ Thriller – 130 mins – This led at the movie box office for the second weekend in a row, but narrowly. As expected it dropped considerably in ticket sales, after a first weekend of out-and-out fan frenzy. Running on the sheer momentum of its massive opening, New Moon soared past the $200 million mark on its eighth day of release and, in the process, eclipsed its predecessor Twilight, which had a final haul of $192.8 million. That, of course, also made it the biggest vampire movie on record.



Yes, it’s a phenomenon, all right, but it’s not for me; I was bored. It’s for teenaged girls with raging hormones who want romance, not sex – very safe romance, with just the vaguest threat of titillating danger. Remember, great numbers of people like this movie. It’s really just a matter of taste.

 

Emanuel Levy: Like the first film, New Moon will divide film critics, and like its predecessor, the picture may be critics-proof. Calculated to a fault, Twilight proved, if nothing else, that it knows how to reach its target audiences.

 

Stephen King: Stephenie Meyer can't write worth a darn. She's not very good. However, it's very clear that she's writing to a whole generation of girls and opening up kind of a safe joining of love and sex in those books. It's exciting and it's thrilling and it's not particularly threatening because it's not overtly sexual.

 

If you’re a teenaged girl with raging hormones, you’ll love it! Mixed or average reviews: 44/47 out of 100. Vista has only a Thai-dubbed version.

 

The third movie in the series, The Twilight Saga: Eclipse, is already completed, and is scheduled to arrive here June 30 of next year, or just seven months from now. Can’t you just hardly wait?

 

 

2012: US/ Canada, Action/ Drama/ Thriller – 158 mins – The end of almost the whole world, as only Director Roland Emmerich can show it. Very well done indeed. The director’s had lots of practice. A Thai-dubbed version is available at both locations. Mixed or average reviews: 49/50 out of 100.

 

 

Scheduled for Chiang Mai cineplexes on Thursday, December 10

 

Pai in Love / ปายอินเลิฟ: Thai, Romance/ Comedy – 90 mins – Thai romantic comedy directed by Tanit Jitnukul, who directed the marvelous film Samchuk released earlier this year; I was very impressed by that film, and am very fond of it. Here we have a love story about a group of friends who all happen to take a winter vacation to the same placePai. Somehow, In that small province, they all find the true meaning of love. Well, why not? In the cast is the Thai-award-winning actor, Ray MacDonald, who though Thai has some Scottish ancestry, and has a string of Thai movies to his credit.

 

Wise Kwai: An ensemble romantic comedy, which takes place in northern Thailand's hippie retreat, Pai.

 

Under the Mountain: New Zealand, Adventure/ Fantasy – 91 mins – New Zealand teen adventure/ horror film about redheaded twins battling intergalactic planet-smashers who live under the dormant volcanoes of Auckland. Actually, though I'd like to see it, I have my doubts that it will show up.

 

Fearnet, Scott Weinberg: Sci-fi / horror films made for early adolescents are pretty rare. Half-decent ones are rarer still. But I know for a fact that a large portion of my movie-geek generation has a strong affection for old Disney chillers like Escape to Witch Mountain, The Watcher in the Woods, and Something Wicked This Way Comes -- and obviously I bring those films up because the recent New Zealand import Under the Mountain feels a lot like those movies. Not nearly as starchy and certainly not as corny, but clearly intended for a young (at heart) movie fan who doesn't mind a little family-friendliness mixed in with his magical adventures, mystical strangers, and massive monsters.

 

 

And looking forward:

 

Dec 17Avatar: US, Action/ Adventure/ Sci-Fi/ Thriller – From director James Cameron, his first feature film since Titanic. The story involves a band of humans pitted in battle against a distant planet's indigenous population. It’s reported “the movie is 40% live action and 60% photo-realistic CGI. A lot of motion capture technology was used for the CGI scenes.” Motion capture technology is the technology used throughout Disney’s A Christmas Carol.

 

Dec 24Sherlock Holmes: US/ UK/ Australia, Action/ Adventure/ Crime/ Drama/ Mystery/ Thriller – A new take on the Holmes canon: Sherlock Holmes as an action figure! Robert Downey Jr. plays Holmes and Jude Law his stalwart partner Watson

 

Dec 24 The Storm Warriors 2 / Storm Riders 2: The Storm Warriors / Fung wan II / 风云II: Hong Kong, Action/ Adventure/ Fantasy – A film produced and directed by the twins Oxide Pang Chun and Danny Pang, and this is cause for excitement! These two directed one of my favorite Asian films, the 2006 Re-cycle, a lovely spooky and weird concoction. The Storm Warriors, described as a martial arts/ wuxia film, is being hailed as the first Chinese film to extensively use bluescreen. The film was shot entirely in three studios in Bangkok.

 

It is the second live-action film adaptation of screenwriter Ma Wing-Shing's popular Chinese manhua Fung Wan, following the 1998 film The Storm Riders. The Pangs have stated that the film is not a direct sequel to The Storm Riders, but more of a stand-alone film with a separate storyline. Two of the main actors in the earlier film, Ekin Cheng and Aaron Kwok, shown here, reprise their roles as Wind and Cloud, who this time find themselves up against Lord Godless, a ruthless Japanese warlord bent on invading China. And a third installment for the series is in the works.