At Alliance Française on Fridays at 8 pm
October continues the François Truffaut series at Alliance Française.
At Alliance Française on Friday, October 23: Holiday! Chulalongkorn Memorial Day (Rama V Day). No showing.
At Alliance Française on Friday, October 30: La femme d'à côté / The Woman Next Door (1981) by François Truffaut – 106 mins – France, Drama/ Romance. English subtitles. Generally favorable reviews: 77 out of 100.
With Fanny Ardant, Gérard Dépardieu, Henri Garcin.
Bernard and Arlette live in the country with their young son. One day a couple comes to live next door. The wife turns out to be a woman with whom Bernard has had a passionate love affair in the past and she does everything she can to start things up again. But will their reunion be a happy one?
– Alliance description
Rotten Tomatoes: Bernard Coudray has established a comfortable and settled existence near Grenoble with his wife and child. However, everything begins to disintegrate when the house next door to the Coudrays' is purchased by Mathilde and Philippe Bauchard. Many years ago, Bernard and Mathilde had a tortuous love affair, and when the two meet again, they can't help but renew their desire. As their spouses become aware of the infidelity, they do whatever possible to separate the lovers... even if it may lead to death.
In November the Alliance Française turns to the work of Alain Resnais.
At Alliance Française on Friday, November 6: Hiroshima mon amour / Hiroshima, My Love (1959) by Alain Resnais – 91 mins – France/ Japan, Drama/ Romance/ War. English subtitles. B&W. Reviews: Universal acclaim: 84 out of 100.
With Emmanuele Riva, Eiji Okada, Bernard Fresson.
For one day and one night, a French woman and a Japanese man love each other with a burning intensity. And her discovery of Hiroshima, the horror of atomic warfare, brings back to her the memories of a love affair in France with a young German soldier…
– Alliance description
Rotten Tomatoes: In AlainResnais's artistic adaptation of Marguerite Duras's Hiroshima mon amour, a French actress working in Japan meets a Japanese architect with whom she has an affair. Their relationship consists largely of conversations about the bombing at Hiroshima, the horrors that he and his family endured, and her perception of it back home in occupied France. With a camera that operates sometimes like a slide show, other times like a space vessel--switching easily in and out of flashbacks and gently blending footage of both Japan and France--the story unfolds more like a collection of memories than a chronological narrative. Perhaps the most dramatic scene is the unforgettable opener: An impeccably beautiful close-up in black and white depicts lovers writhing first in the ash of bomb fallout, which is washed away by rain, then, as their skin dries, they begin to perspire from making love. She--the nameless female lead (Emmanuele Riva)--remembers everything of the war. But He--the nameless male lead (Eiji Okada)--challenges her to determine if what she remembers is real or just a projection. As with most Marguerite Duras novels, it's hard to determine exactly what happened and what didn't. Hiroshima mon amour is truly like a poem, using the emotional words of Duras to propel Resnais's ultra powerful images.